
Beneath the Paving Stones, the River | Alex Tan
Is the novel an apt vessel for a commitment so continuous, so exhausting?
20articoli totali nell'archivio

Is the novel an apt vessel for a commitment so continuous, so exhausting?

Automation is everywhere now, and it was Disneyland that made it part of your world.

Rachel Khong is dedicated to generating narrative conditions under which race can be dissected ad infinitum, by whatever means…

Freezing the rent only alleviates tension on one side of the equation.

Can we shed the bonds of bourgeois morality and look self-annihilation in the face?

From the smoggy flatlands, the Palos Verdes Peninsula can seem like paradise—but there’s a big problem underfoot.

Vigdis Hjorth’s project carries the psychological signature of autobiography—while actively disavowing the genre.

It is the role of the critic and the artist to go against all that is well-pedigreed, right-minded, and hopelessly inert.

Why did all this energy, skill, and money flow into a concert led by a conducting neophyte?

Jim Thompson recognizes noir as a genre whose violence is a means of acknowledging inequities and injustices.

The seduction of the topical has dogged Ben Lerner since his first poetry books.

The photography of Lillian Bassman may belong to the genre of fashion—but her eye was much larger than her subject.

In Ukraine, the corporate consolidation of farmland poses risks—to both small farmers and the sustainability of agriculture.

If the “short twentieth century” began in Sarajevo, perhaps it ended in Bosnia too.

You cannot harm a corpse, though you can use it to harm others.

“Who are these people? Why did they come here?”

Under the guise of fighting antisemitism, the Trump administration has turned to groups like Canary Mission and Betar.

Benjamin Balthaser’s “Citizens of the Whole World” reduces the political horizons of the Jewish diaspora.