in Architecture, History, Travel | July 7th, 2026 Leave a Comment

Asked to iden­ti­fy “the Athens of the South,” many Amer­i­cans might well point to Athens, Geor­gia, espe­cial­ly if they hap­pen to be fans of REM, the B‑52s, or Of Mon­tre­al. In fact, that title was claimed by Nashville, Ten­nessee as ear­ly as the eigh­teen-fifties, when the city put into action its ambi­tious plans for a pub­lic edu­ca­tion sys­tem. By the end of that cen­tu­ry, Nashville boast­ed not just more than 20 col­leges and uni­ver­si­ties (Van­der­bilt being the best known today), but also a full-scale repli­ca of the Parthenon, the ancient tem­ple to the god­dess Athena. It was built for the state’s Cen­ten­ni­al Exhi­bi­tion in 1897, when no dis­play of local grandeur was too much.

Near­ly 130 years lat­er, the Nashville Parthenon remains a major local attrac­tion along­side the likes of the Grand Ole Opry, the Coun­try Music Hall of Fame, and the Honky Tonk High­way. The struc­ture cur­rent­ly sit­u­at­ed in Cen­ten­ni­al Park (also the home of that mod­ern site of pil­grim­age, the Tay­lor Swift Bench) isn’t the same one at which vis­i­tors mar­veled in 1897.

After a cou­ple of decades of dete­ri­o­ra­tion, writes Art­sy’s Isaac Kaplan, “mas­sive ren­o­va­tions were under­tak­en in 1920, over­seen by an archi­tect named Rus­sell Hart, who com­mit­ted to mak­ing the build­ing both endur­ing and as his­tor­i­cal­ly true to the orig­i­nal Parthenon as pos­si­ble,” an exten­sive rebuild that even entailed mak­ing casts of the orig­i­nal mar­bles.