in Music | May 26th, 2026 Leave a Comment

Robert John­son died at just 27 years old, some say as a con­se­quence of sell­ing his soul to the dev­il at a cross­roads. But before his time came, he man­aged to record 29 songs, a scant body of work that nev­er­the­less secured his artis­tic immor­tal­i­ty as one of the most influ­en­tial blues musi­cians of all time. It’s unfor­tu­nate that his record­ings, all of them made between 1936 and 1937 in less-than-ide­al stu­dio con­di­tions even for the time, leave some­thing to be desired in the audio qual­i­ty depart­ment. But now, some 90 years lat­er, sound restor­er Nick Del­low has been upload­ing rel­a­tive­ly crisp dig­i­tized “test press­ings” of John­son’s songs to YouTube: last month, for exam­ple, we fea­tured one of “Cross Road Blues” here on Open Cul­ture.

In the video above, you’ll find a sim­i­lar­ly high­er-qual­i­ty ver­sion of “Come On in My Kitchen,” a song acknowl­edged as an ear­ly demon­stra­tion of the young John­son’s oth­er­world­ly musi­cal pow­er. You may notice that the title labels this par­tic­u­lar record­ing as “take one.” John­son also record­ed a much dif­fer­ent sec­ond take, which his label Vocalion Records released in 1937, pos­si­bly because it sound­ed less mourn­ful and thus — accord­ing to record-indus­try log­ic — more viable as a hit.