in Art, History, Museums | November 18th, 2025 1 Comment

Whether or not we believe that the cards of the tarot have super­nat­ur­al pow­ers, we all think of them pri­mar­i­ly as tools for div­ina­tion. It might seem as if they’ve played that cul­tur­al role since time immemo­r­i­al, but in fact, that par­tic­u­lar use only goes back to the eigh­teenth cen­tu­ry. They were, at first, play­ing cards, used for a game known as taroc­chi in Renais­sance Italy. That was the orig­i­nal pur­pose of the old­est tarot cards in pos­ses­sion of the Vic­to­ria and Albert Muse­um, which you can see unboxed by cura­tor Ruth Hib­bard in the video above. Through­out its fif­teen min­utes, Hib­bard and two col­leagues also “unbox” five oth­er decks pro­duced across the half-mil­len­ni­um of tarot his­to­ry.

These include the ear­ly eigh­teenth-cen­tu­ry Minchi­ate Deck, whose name refers to a slight­ly more com­plex Flo­ren­tine card game that evolved along­side tarot. The word itself pos­si­bly orig­i­nates from the term sminchiare, “to play your high­est card” (though in Sicil­ian dialect today, it has a rather dif­fer­ent mean­ing).

Lat­er, cir­ca 1807, comes Le Petit Ora­cle des Dames, “the petite ora­cle of women,” the ear­li­est deck in the video express­ly pro­duced for car­toman­cy, or pre­dic­tion of the future through cards — albeit only as a form of light enter­tain­ment for gath­er­ings of ladies. A decade or two lat­er, out came the lux­u­ri­ous Taroc­co Soprafi­no, which bears lav­ish illus­tra­tions made with cop­per-plate engrav­ing and col­ored sten­cil­ing.