in History, Religion | July 20th, 2026 Leave a Comment

One might assume from a mod­ern view­point that the hair­styles worn by monks arose to deal with male pat­tern bald­ness anx­i­ety. As in the school uni­form approach, you can’t sin­gle out one person’s bald­ness when every­one is bald. But this, again, would be a mod­ern view, full of the van­i­ty the tonsured—those with reli­gious­ly shaven heads—ostensibly vowed to renounce. Accord­ing to the Catholic Ency­clo­pe­dia, the ton­sure (from the Latin verb for “to shear”) began as a “badge of slav­ery” among Greeks and Romans. It was adopt­ed “on this very account” by ear­ly monas­tic orders, to mark the total sur­ren­der of the will.

Would it sur­prise you, then, to learn that there were ton­sure wars? Prob­a­bly not if you know any­thing about church his­to­ry. Every arti­cle of cloth­ing and of faith has sparked some major con­tro­ver­sy at one time or anoth­er. So too with the ton­sure, of which—we learn in the Vox video above—there were three styles. The first, the coro­nal (or Roman or Petrine) ton­sure, is the one we see in count­less Medieval and Renais­sance paint­ings: a bald pate at the crown sur­round­ed by a fringe of hair, pos­si­bly meant to evoke the crown of thorns. Next is the Pauline, a ful­ly shaved head, seen much less in West­ern art since it was “used more com­mon­ly in East­ern Ortho­doxy.”