Nigeria is grappling with banditry, kidnapping and insurgency amid renewed debates over community policing and the creation of state police. A Nollywood classic released more than 25 years ago remains strikingly relevant today.
Released in 1999, Issakaba was inspired by the real-life Bakassi Boys vigilante movement. It became one of Nollywood’s defining films, attracting audiences in Nigeria and across West Africa. The story centres on a community overwhelmed by violent crime and let down by an ineffective police force. When a vigilante group steps in to restore order, its success comes at the cost of operating outside the law. The film anticipated many of today’s debates about security, state authority and citizenship.
I research Nigerian theatre, film and popular culture, with a focus on how media and performance shape ideas about politics, governance and citizenship.
In my recent research on Issakaba, I analysed the film as a cultural text to examine how it represents justice, state authority and vigilantism. Rather than simply depicting crime and insecurity, the film explores the relationship between security, citizenship and the state. My analysis shows that it does more than dramatise crime fighting: it reveals how citizens negotiate legitimacy, justice and political authority when the state struggles to provide security.
