in Education, Literature | July 28th, 2025 3 Comments

Whether willed, invol­un­tary, or a mix of both, the declin­ing lit­er­a­cy of col­lege stu­dents is by now so often lament­ed that reports of it should no longer come as a sur­prise. And yet, on some lev­el, they still do: Eng­lish majors in region­al Kansas uni­ver­si­ties find the open­ing to Bleak House vir­tu­al­ly unin­tel­li­gi­ble; even stu­dents at “high­ly selec­tive, elite col­leges” strug­gle to read, let alone com­pre­hend, books in their entire­ty. Things were dif­fer­ent in 1941, and very dif­fer­ent indeed if you hap­pened to be tak­ing Eng­lish 135 at the Uni­ver­si­ty of Michi­gan, a class titled “Fate and the Indi­vid­ual in Euro­pean Lit­er­a­ture.” The instruc­tor: a cer­tain W. H. Auden.

In his capac­i­ty as an edu­ca­tor, the poet threw down the gaunt­let of an “infa­mous­ly dif­fi­cult” syl­labus, as lit­er­ary aca­d­e­m­ic and YouTu­ber Adam Walk­er explains in his new video above, that “asked under­grad­u­ates to read about 6,000 pages of clas­sic lit­er­a­ture.”

Not that the course was out of touch with cur­rent events: in its his­tor­i­cal moment, “Nazi Ger­many had invad­ed the Sovi­et Union and expand­ed into East­ern Europe. Sys­tem­at­ic exter­mi­na­tion begins with mass shoot­ings, and the machin­ery of geno­cide is accel­er­at­ing. It’s no acci­dent that Auden takes an inter­est in fate and the indi­vid­ual in Euro­pean lit­er­a­ture” — a theme that, as he frames it, begins with Dante. After the entire­ty of The Divine Com­e­dy, Auden’s stu­dents had their free choice between Aeschy­lus’ Agamem­non or Sopho­cles’ Antigone.