All of a Sudden
The audacious latest from Ryusuke Hamaguchi, the Oscar-winning director of Drive My Car, is set primarily in a Paris elder-care facility run by a woman (Virginie Efira) whose progressive treatment approach clashes with the realities of chronic understaffing and bottom-line-driven management. Audiences with the patience to get through a leisurely paced and very talky first hour will be richly rewarded by a moving and at times transcendently beautiful affirmation of the basic human rights of respect and dignity. — DAVID ROONEY
Ben’Imana
Marie-Clémentine Dusabejambo’s debut feature, the first from a Rwandan director to screen in Cannes’ official selection, is a searing and intimate portrait of a nation’s reckoning. At the center of a cast of mostly non-pro actors, Clémentine U. Nyirinkindi plays a woman confronting the man accused of murdering her siblings and other relatives — though it’s through the character’s complex, often tense relationships with her daughter, sister and mother that this simultaneously emblematic and achingly specific story comes to life. — SHERI LINDEN
The Black Ball (La Bola Negra)
