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‘The Station’ Review: A Long-Gestating, Female-Centered Project Set in Yemen That’s Well Worth the Wait

A women-only haven in Yemen’s civil war is the backdrop to a story of siblings clashing in Sara Ishaq's Cannes Critics' Week entry 'The Station.'

Raccontata dahollywoodreporter.comvariety.com

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2 prospettive sulla stessa storia
AI · summaries
variety.comStai leggendo1 mesi fa

‘The Station’ Review: A Long-Gestating, Female-Centered Project Set in Yemen That’s Well Worth the Wait

A women-only haven in Yemen’s civil war is the backdrop to a story of siblings clashing in Sara Ishaq's Cannes Critics' Week entry 'The Station.'

originale
hollywoodreporter.com1 mesi fa

Welcome to ‘The Station,’ Where the Rules Are: “No Men. No Weapons. No Politics.”

Oscar-nominated Yemeni-Scottish director Sara Ishaq wants to "change the narrative" with her fiction feature debut, set at a women-only gas station, which is premiering in the Cannes Critics’ Week lineup.

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Timeline cronologica

  1. sabato 16 maggio 2026·hollywoodreporter.com

    Welcome to ‘The Station,’ Where the Rules Are: “No Men. No Weapons. No Politics.”

    Oscar-nominated Yemeni-Scottish director Sara Ishaq wants to "change the narrative" with her fiction feature debut, set at a women-only gas station, which is premiering in the…

  2. domenica 17 maggio 2026·variety.com

    ‘The Station’ Review: A Long-Gestating, Female-Centered Project Set in Yemen That’s Well Worth the Wait

    A women-only haven in Yemen’s civil war is the backdrop to a story of siblings clashing in Sara Ishaq's Cannes Critics' Week entry 'The Station.'