By turning the novel into just a corset-heaving love story, the director has stripped it of what made it so boundary-pushing, says Guardian columnist Rhiannon Lucy Cosslett

Spoiler alert! We're discussing major details about the ending of “Wuthering Heights” (in theaters now). Stop reading now if you haven't seen it yet and don't want to know.

The maximalist adaptation of the gothic romance shows great interest in production design but very little in character