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Emerald Fennell’s Wuthering Heights is big movie with a very small mind | Adrian Horton
The maximalist adaptation of the gothic romance shows great interest in production design but very little in character
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theguardian.com
Digested week: Finally, it’s Wuthering Heights discourse time!
If the British reviews are anything to go by, my rainy London tour bus ride was more stirring
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usatoday.com
'Wuthering Heights' ending makes major change from Emily Brontë's book
Spoiler alert! We're discussing major details about the ending of “Wuthering Heights” (in theaters now). Stop reading now if you haven't seen it yet and don't want to know.
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Emerald Fennell’s Wuthering Heights is big movie with a very small mind | Adrian Horton
The maximalist adaptation of the gothic romance shows great interest in production design but very little in character
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lemonde.fr
'Wuthering Heights': A 'dark romance' swept away by Margot Robbie
Emerald Fennell draws on Emily Brontë's novel to unravel a series of vignettes punctuated by erotic scenes in which the actress dominates the screen.
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Every generation gets the Wuthering Heights it deserves. And Emerald Fennell’s is for the always-online | Nadia Khomami
Packed cinemas testify to the allure of Emily Brontë’s tale, even if this latest retelling is not to everyone’s taste, says Guardian arts and culture correspondent Nadia Khomami
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Wuthering Heights is at its heart a story of class and race. Emerald Fennell has got it all wrong | Rhiannon Lucy Cosslett
By turning the novel into just a corset-heaving love story, the director has stripped it of what made it so boundary-pushing, says Guardian columnist Rhiannon Lucy Cosslett
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‘Bored by all the sex and violins’: readers on Wuthering Heights film
Reaction to Emerald Fennell’s movie adaptation of Emily Brontë’s novel starring Margot Robbie and Jacob Elordi