The maximalist adaptation of the gothic romance shows great interest in production design but very little in character

If the British reviews are anything to go by, my rainy London tour bus ride was more stirring

Spoiler alert! We're discussing major details about the ending of “Wuthering Heights” (in theaters now). Stop reading now if you haven't seen it yet and don't want to know.

The maximalist adaptation of the gothic romance shows great interest in production design but very little in character

Emerald Fennell draws on Emily Brontë's novel to unravel a series of vignettes punctuated by erotic scenes in which the actress dominates the screen.

Packed cinemas testify to the allure of Emily Brontë’s tale, even if this latest retelling is not to everyone’s taste, says Guardian arts and culture correspondent Nadia Khomami

By turning the novel into just a corset-heaving love story, the director has stripped it of what made it so boundary-pushing, says Guardian columnist Rhiannon Lucy Cosslett

Reaction to Emerald Fennell’s movie adaptation of Emily Brontë’s novel starring Margot Robbie and Jacob Elordi