The Grammy-winning MC talks her new God Gotta Afro & Gold Hoops album, sampling D'Angelo and honoring Nolan Wells.
By Kyle Denis
Fierce public discourse about the value and necessity of media representation — particularly for those belonging to oft-overlooked social spheres — inundated most of the 2010s. On her masterful fifth studio album God Gotta Afro & Gold Hoops, Grammy-winning rapper Rapsody is interested in a different kind of representation: If we’re to believe that we were all created in God’s image, then what are we to do with depictions of Him that are completely devoid of Blackness in an effort to uphold white Christianity and, by extension, white supremacy?
“It’s about reshaping the narrative and rewriting the truth,” she tells Billboard mere hours before her new LP hits streaming on Aug. 21. “We’ve been miseducated so much — shout out to Lauryn Hill — and now we need to do the knowledge and re-educate ourselves. And we have to start with God and our spiritual connection with the Divine. We know that we are all made in the image of God, so when you look in the mirror, do not allow this world to erase you from it. Look in the mirror and see God in yourself.”
Released via We Each Other and Roc Nation, God Gotta Afro & Gold Hoops landed at a particularly precarious time for hip-hop. To put it plainly, the genre has been in a wacky, and ultimately transitional, period this year. Drake’s “Janice STFU” ended a year-long drought for rap songs at the top of the Billboard Hot 100; and, according to Luminate’s 2026 midyear report, R&B/hip-hop’s market share fell by 1.6% versus midyear 2025, despite remaining the most-consumed genre of music in the U.S. As some members of the culture lamented the genre’s future on podcast couches, Rapsody took herself all the way back to its beginning — and found herself on a trip across multiple African nations.
