In Faith Omole’s first solo exhibition, the simple mark morphs into a cryptic language of identity, memory and cultural inheritance. Okechukwu Uwaezuoke writes
Colour, in fact, does the main work here. Neon-like motifs—almost a kind of luminous calligraphy, evoking both Nsibidi writing and contemporary street-art scribble—seethe against the deep violet backdrop, leaving an impression of frenzied movement and heat. From this termite-dense, near-black field of Adinkra-like symbols, spirals and Uli-inspired motifs, human figures begin to resolve themselves, their forms becoming more distinct as the eye gets accustomed to the visual thicket.
In all, 12 such motif-strewn works are on display, each inviting viewers to look beyond the immediate image and consider the meanings lurking within each mark. They leave room for viewers to bring their own experiences and associations to the encounter.
Small wonder, then, that Faith Omole chose ÀÀMÌ—a Yoruba word for sign, mark or symbol—as the title of her first solo exhibition. Presented by Fehinti Contemporary, it opened on Saturday (August 22) evening at The Art Hotel, its venue partner, in Victoria Island, Lagos. The exhibition is supported by Svetlo, Sevigram, Vascan, Mirthline, Creative Co. And Iwalewa Gallery of Arts.
