2021: “I don’t have dreams, I have plans. I don’t have enemies, I have fans.”
2024: “Little by little, I became my own worst enemy, searching for myself in an empty shell.”
2026: “Don’t pay anymore to watch me lie.”
Read as a sequence, these three lines could form a Buenos Aires-inspired take on F. Scott Fitzgerald’s The Great Gatsby (1925): the tragedy of the self-made man who becomes trapped by the identity he built to save himself. Post Mortem (2021) was the coronation of a 20-year-old kid who, alongside his label Bohemian Groove, crafted himself into an abrasive rock star. Today, that persona doesn’t go out hunting for victims anymore — it feeds off its creator.
La Nueva Violencia, released Wednesday (Aug. 12) under his own independent label Bohemian Groove, is self-devouring, reflected across 13 tracks and a voice memo from his father. In it, Dillom questions the ills of contemporary society — ones he can never fully prove his innocence against.
