Like many Amer­i­can sto­ries, the sto­ry of the Nation­al Parks begins with pil­lage, death, deep cul­tur­al mis­un­der­stand­ing, and ven­ture cap­i­tal­ism. Accord­ing to Ken Burns’ film series The Nation­al Parks: America’s Best Idea, we can date the idea back to 1851, with the “dis­cov­ery” of Yosemite by a maraud­ing armed bat­tal­ion that entered the land “search­ing for Indi­ans, intent on dri­ving the natives from their home­lands and onto reser­va­tions.” The Mari­posa Bat­tal­ion, led by Cap­tain James D. Sav­age, set fire to the Indi­ans’ homes and store­hous­es after they had retreat­ed to the moun­tains, “in order to starve them into sub­mis­sion.”

One mem­ber of the bat­tal­ion, a doc­tor named Lafayette Bun­nell, found him­self entranced by the scenery amidst this destruc­tion. “As I looked, a pecu­liar exalt­ed sen­sa­tion seemed to fill my whole being,” he wrote in his lat­er accounts, “and I found myself in tears with emo­tion.” He named the place “Yosemite,” think­ing it was the name of the Indi­an tribe the sol­diers sought to force out or erad­i­cate. The word, it turned out “meant some­thing entire­ly dif­fer­ent,” refer­ring to peo­ple who should be feared: “It means, ‘they are killers.’”