in History, Music | August 4th, 2026 Leave a Comment

Like dig­ging for fos­sils or pan­ning for gold, the research process can be a tedious affair. But for any researcher, long days of search­ing and read­ing will even­tu­al­ly result in dis­cov­ery. These are the moments schol­ars cher­ish. It’s the chance dis­cov­ery, how­ev­er rare, that makes the long hours and bleary late nights worth­while. And some finds can change an entire field. Such was the dis­cov­ery of St. John’s Col­lege PhD stu­dent, and now Asso­ciate Pro­fes­sor of Musi­col­o­gy at the Uni­ver­si­ty of Pavia, Gio­van­ni Varel­li, who, in 2014, found what is believed to be, writes Cam­bridge Uni­ver­si­ty, “the ear­li­est known prac­ti­cal exam­ple of poly­phon­ic music,” that is, music con­sist­ing of two or more melod­ic lines work­ing togeth­er simul­ta­ne­ous­ly.

You can hear the short composition—written in praise of the patron saint of Ger­many, Saint Boniface—performed above by St. John’s under­grad­u­ates Quintin Beer and John Clapham. Pri­or to Varelli’s dis­cov­ery of this piece of music, the ear­li­est poly­phon­ic music was thought to date to the year 1000, from a col­lec­tion called The Win­ches­ter Trop­er. Varelli’s dis­cov­ery may date to 100 years ear­li­er, around the year 900, and was found at the end of a man­u­script of the Life of Bish­op Mater­ni­anus of Reims. One rea­son musi­col­o­gists have so far over­looked the piece, Varel­li says, is that “we are not see­ing what we expect­ed.”