in History, Music | July 21st, 2026 Leave a Comment

Nor­folk is known for its net­work of rivers and lakes, its stock of medieval church­es, and for being the home coun­ty of Alan Par­tridge. Last year, it quite lit­er­al­ly unearthed anoth­er mark of dis­tinc­tion in the form of an iron age war trum­pet. “The bronze trum­pet or carnyx is only the third ever found in Britain, and the most com­plete exam­ple dis­cov­ered any­where in the world,” writes the Guardian’s Esther Addley. “Fash­ioned in the shape of a snarling wild ani­mal, the object would have been mount­ed on a long mouth­piece high above the heads of war­riors, allow­ing it to be sound­ed to intim­i­date the ene­my in bat­tle.” One could hard­ly hope for a more pow­er­ful sym­bol of Celtic fear­some­ness.

Yet “there are many con­tra­dic­tions” in the longer sto­ry of the carnyx, says envi­ron­men­tal sci­en­tist Paul Whitewick in his new video, “from where it’s been found to its intend­ed use, its depic­tion on art and coins: none of those seem to make sense.” The most famous head of a carnyx was uncov­ered in a Scot­tish peat bog; anoth­er came out of the Riv­er With­am in Lin­colnshire.

In addi­tion to those recov­er­ies from non-bat­tle­field set­tings, one detailed iron­work pan­el com­mon­ly ref­er­enced in carnyx recon­struc­tion presents its use in more of a pro­ces­sion. It also became a sym­bol on Roman-era coinage, and with an appar­ent­ly wide range of mean­ing. Per­haps the carnyx was a war horn; per­haps it was much more.