Laura (Malou Khebiz), a young French woman, takes a job as a personal assistant/cleaner/chef for Souria (Soundos Mosbah), the effectively incarcerated mistress of a Saudi prince (Kassem Al Khoja), in the smart, psychologically nuanced French drama Madame (Le Triangle d’Or).
A debut feature for director Hélène Rosselet-Ruiz, written in collaboration between Rosselet-Ruiz and Pauline Guéna, this was reportedly inspired by a very similar experience the director herself had working for a wealthy Gulf state family, although tweaks have been made to facilitate the drama. The often imperious behavior of the titular Souria, who is not allowed to leave her gilded cage of a mansion, and the conspicuous consumption she and her lover enjoy may seem outrageous, but the milieu is largely convincingly depicted — right down to the keeping of a miserable black panther in a closet enclosure, whom the prince’s factotum Emre (Ziad Bakri) has to drug daily lest it cry all day and night out of despair. All in all, the film offers a well-considered analysis of the class, gender and cultural dynamics inherent in the core situation that doesn’t preach or polemicize.
Madame
The Bottom Line
Perceptive and credible.
