in Film, History | September 23rd, 2025 1 Comment

From today’s van­tage, the first decade of the twen­ti­eth cen­tu­ry can look like an even more dis­tant peri­od of his­to­ry than it is. In many cor­ners of urban civ­i­liza­tion, the cabarets, tea­rooms, and oth­er near-par­a­lyt­i­cal­ly man­nered insti­tu­tions of the Belle Époque were very much going con­cerns. To those who lived in that era, it must have been easy enough to believe that the ways of nine­teenth-cen­tu­ry-style aris­toc­ra­cy and empire could per­pet­u­ate them­selves for­ev­er. Yet those were also the years of Georges Méliès Le Voy­age dans la Lune, the Wright broth­ers’ first flight; the pro­lif­er­a­tion of auto­mo­biles and sub­way trains; Rus­si­a’s loss in war to Japan and first rev­o­lu­tion; Ein­stein’s dis­cov­ery of rel­a­tiv­i­ty, the pho­to­elec­tric effect, and Brown­ian motion; and Picas­so’s Les Demoi­selles d’Av­i­gnon.

The world as it was, in oth­er words, was giv­ing way to the world as it would be. Such is the con­text of the doc­u­men­tary footage col­lect­ed — and col­orized, and upscaled — in the video at the top of the post. Begin­ning in a bustling work­ing-class street in Hollinwood, Eng­land, this tour of the nine­teen-hun­dreds con­tin­ues on to places like Spain, India, Chi­na, New York, Japan, Brazil, Den­mark, Aus­tria, and Ger­many.