What Miranda Priestly has to teach us about work and excellence.
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Movies made for and about women—not the films award shows insist are important, but the ones women actually love—are often treated with a kind of reflexive disdain by critics. The Devil Wears Prada 2, which many of my Gen Z and millennial friends have seen multiple times, has been no exception.
LuElla D’Amico is an associate professor of English and coordinator of women’s and gender studies at the University of the Incarnate Word. She is the author of Wondrous Reading: Encountering the Catholic Faith in Children’s Literature and writes widely on faith, girlhood, pop culture, and storytelling.
