Eight birds play the lead in Hen – one for running scenes, one for pecking, one for staying still. And there’s even a cockerel love interest. Director György Pálfi explains why it’s his most normal movie yet
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f oppressive regimes inadvertently give rise to striking artistic works of resistance, then Hen might just be a parting gift from Viktor Orbán’s far-right regime. This compelling, original film, told from the perspective of a hen, was only made because Hungarian film-maker György Pálfi could no longer create anything in his home country. Orbán’s 16 years of cronyism banished any chance of funding a film in Budapest, so Pálfi – who has directed eight wildly original films, from his near-wordless 2002 debut Hukkle to 2006’s visually striking and grotesque Taxidermia – was driven into exile. Searching for a universal story he could tell even when filming in a culture or country he didn’t fully understand, he and co-writer and partner Zsófia Ruttkay settled on a biopic of a factory-farmed chicken.
The hen escapes her gruesome, industrial birthplace in Greece and, through her naturally comic beady eyes, we witness the unfolding of a modern-day Greek tragedy, whereby a down-at-heel restaurateur is drawn into the brutal world of people-smuggling.






