Will the great TV writer ever top his mega hit? He talks us through his new series about the CIA’s attempts to weaponise LSD – and reveals why James Gandolfini called him ‘Satan’
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ast week, a plush London hotel became a temple to HBO Max. Pictures of Carrie Bradshaw lined the corridors, HBO Max cushions dotted every chair in sight, and a heaving roster of A-list talent – Lisa Kudrow, Noah Wyle and Steve Carell – were poised and ready to hustle for the streamer’s UK launch.
However, you could argue that this whole circus was constructed because of one man. A few decades ago, HBO was a little-seen backwater of sport and standup. One show propelled it to the forefront of prestige television. That show was The Sopranos. The man who created it is David Chase.
Not that Chase will let himself be complimented like that. “Luck had an amazing amount to do with it,” he says, correcting my thesis before our interview has even begun. “HBO wanted to change their business model. They wanted to do original programming, and the script for The Sopranos had been turned down by every network in the States.”
