Chief classical music critic of the Guardian admired for writing without fear or favour
Andrew Clements, who has died aged 75 after a period of ill health, was for more than three decades the Guardian’s chief classical music critic. His style was a model of critical integrity – authoritative and intelligent, sometimes enthusiastic and sometimes slightly grumpy, dry-humoured yet never showy.
Music may say things that words cannot express, but he mastered the rare art of putting music into words, always using language with precision; reading him, you knew what a performance had sounded like. Best known for championing new music with tireless devotion, Andrew had much wider musical interests than many realised.
However, music was only one of his passions. Topping the list of other fascinations were natural history and Latin American literature, and these strands all came together when he reviewed the world premiere of Peter Eötvös’s opera Love and Other Demons – based on Gabriel García Márquez – at Glyndebourne in summer 2008. Welcoming the work, Andrew ended his review by saying that only the production disappointed “for its failure to evoke any real sense of place, despite the lavish use of video projections full of writhing bodies, insects and reptiles; someone might have pointed out to [the director] that there are no chameleons in South America”.
