On her monumental, maximalist opus, the dazzlingly audacious Spanish singer balanced pop and classical, experimentation and accessibility
The 50 best albums of 2025
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n paper, Lux reads more like a particularly tricky bonus round on University Challenge than the new album by a pop artist whose previous single was a collaboration with Lisa from Blackpink. Split into four distinct movements and sung in 13 languages, Lux is a head-spinning, classical music-adjacent opus exploring feminine mystique, religious transcendence and corporal transformation, often via the prism of various female saints. The dissolution of a relationship – grounded and laid bare on Lily Allen’s West End Girl, 2025’s other dissection of heartbreak – is shot heavenwards here, buffeted by the constant presence of the London Symphony Orchestra and the input of Pulitzer prize-winning composer Caroline Shaw among a scroll-sized list of collaborators. Its audacity alone makes the efforts of Rosalía’s pop peers look pretty laughable.
