Nigeria's stunning new Museum of West African Art (Mowaa) has found itself in the crosshairs of local power politics on the week it was supposed to - but failed - to open its doors to the public for the first time.
The six-hectare (15-acre) campus sits in the heart of Benin City, capital of the southern state of Edo - and includes an archaeological dig and buildings designed by high-profile British-Ghanaian architect Sir David Adjaye, best known for the National Museum of African American History and Culture that opened in Washington in 2016.
It has been five years in the making - and is envisioned to celebrate both the past and the present of creativity in the region famous for the Benin Bronzes, artworks looted from the city's royal palace by British soldiers in the 19th Century.
It is impressive - and ahead of the planned opening, Mowaa was buzzing with staff determined to prove it is a place that can rival established museums and galleries in the West.
Inside conservators carefully unwrapped artworks from protective packaging, inspecting each piece and taking meticulous records before positioning them on walls and plinths.
