(BMG)
Allen’s first album in seven years traces the fallout from an open relationship, but as well as being cathartic and candid, these stylistically varied songs have melodies that sparkle
I
t is seven years since Lily Allen last released an album. No Shame was Mercury-nominated and far better reviewed than 2014’s Sheezus – not least by Allen herself – but it was also her lowest-selling album to date. You could have taken that as evidence pop had moved on. In Britain, 2018 was a year that the well-mannered boy/girl-next-door pop of George Ezra, Jess Glynne and Ed Sheeran held sway; Allen seemed symbolic of a messier, mouthier era. Afterwards, Allen stepped away from music, concentrating instead on what you’d have to call a diverse portfolio of interests, including acting, podcasting, launching her own sex toy and selling photographs of her feet to fetishists on OnlyFans.
But pop has a habit of developing in a cyclical way. When Olivia Rodrigo brought Allen on stage at Glastonbury in 2022, it highlighted how deep her impact on the younger artist’s songwriting ran: you could trace a direct line between Allen’s splenetic, sweary Smile and Rodrigo’s similarly forthright brand of breakup anthems. And Rodrigo is merely one among a succession of younger female artists claiming Allen’s influence: Billie Eilish, Sabrina Carpenter, Charli xcx, PinkPantheress. If Lola Young had a fiver for every time she was compared to Allen, she would never need to work again.
