Eugène Ionesco's 1959 Play Is an Apt Allegory for Israel's Contemporary Crisis, at a Time When It's Hard to Say Who Is More of a 'Rhinoceros': The Public, State Officials or the Art World?
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Eugène Ionesco's 1959 play is an apt allegory for Israel's contemporary crisis, at a time when it's hard to say who is more of a 'rhinoceros': the public, state officials or the art world?
Recently, the Hebrew term hitkarnefut seems impossible to escape, appearing in opinion pieces, street protests and tweets alike.
A New Hebrew Opera Based on S. An-sky's Play Premieres at the Israeli Opera for a Limited Five-performance Run, a Documentary in…
The cycle of historical irony is coming full circle. In Germany in 1933, books, including those of Freud, Einstein, Heine, Brecht…
Intellectuals in Western societies don't usually have a hard life. They observe the normal chaos of human affairs and issue…
The Two Narratives – of the Governing Coalition, Its Supporters in the Media and Hard-core Bibi-ists, and That of Their Opponents…
When Facts and Figures Don't Penetrate, Maybe Culture Can Break Through the Hard Shell Israelis Built Around Their Minds
In His New Show, Israeli Artist Guy Bernard Reichmann Revisits the Trial of Treblinka's 'Ivan the Terrible,' Juxtaposing It With…
