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ft.com

The villains of the Venice Film Festival? War and corporate power

Tales of revenge dazzle, from Park Chan-wook’s ‘No Other Choice’ to Gus Van Sant’s ‘Dead Man’s Wire’. Plus White House thriller ‘A House of Dynamite’ and ‘The Wizard of the Kremlin’

giovedì 4 settembre 2025 New tab

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Can art triumph in a Venice Biennale marked by protests?

Provocative pavilions and revelatory satellite shows compensate for a fatally flawed main exhibition

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The 10 best films of 2025

From Ukraine’s trenches to covert moviemaking in Iran, and an imagined nuclear strike on the US to the reloaded ‘Naked Gun’

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