The villains of the Venice Film Festival? War and corporate power
Tales of revenge dazzle, from Park Chan-wook’s ‘No Other Choice’ to Gus Van Sant’s ‘Dead Man’s Wire’. Plus White House thriller ‘A House of Dynamite’ and ‘The Wizard of the Kremlin’
Tales of revenge dazzle, from Park Chan-wook’s ‘No Other Choice’ to Gus Van Sant’s ‘Dead Man’s Wire’. Plus White House thriller ‘A House of Dynamite’ and ‘The Wizard of the Kremlin’

Reviews of Noah Baumbach’s kvetchy comedy ‘Jay Kelly’, Paolo Sorrentino’s stately ‘La Grazia’, Yorgos Lanthimos’s…

Tales from the Ottoman Empire and 1930s Moscow, to the latest in the Slow Horses series

The brutally comic new movie from the ‘Oldboy’ director is the ‘universal’ story of a company man driven to multiple murders in a…

In fast-rising director Zach Cregger’s movie, mystery deepens amid a vividly realised everyday

Provocative pavilions and revelatory satellite shows compensate for a fatally flawed main exhibition

From Ukraine’s trenches to covert moviemaking in Iran, and an imagined nuclear strike on the US to the reloaded ‘Naked Gun’