Weapons film review — vanishing children are just the start of this hyper-eerie horror
In fast-rising director Zach Cregger’s movie, mystery deepens amid a vividly realised everyday
Related reading
Dying film review — dysfunctional family drama is a magnificent anti-blockbuster
Put down the Aperol spritz and go watch a brilliantly involving three-hour German film about an unwell couple and their withdrawn…
The 10 best films of 2025
From Ukraine’s trenches to covert moviemaking in Iran, and an imagined nuclear strike on the US to the reloaded ‘Naked Gun’
‘Look away’, a new story by Rebecca Watson
Written in response to a triptych by Barbara Probst, for FT Magazine’s photography special
The villains of the Venice Film Festival? War and corporate power
Tales of revenge dazzle, from Park Chan-wook’s ‘No Other Choice’ to Gus Van Sant’s ‘Dead Man’s Wire’. Plus White House thriller…
Director Joachim Trier: ‘You meet artists who have this inability to live’
The maker of ‘The Worst Person in the World’ on returning with the portrait of a great auteur but flawed father, ‘Sentimental…
‘It’s just a bomb’
The true story of two strangers and an extraordinary act of courage