It’s hard to imagine what Black gay storytelling in Hollywood today would look like without “Noah’s Arc.”

Twenty years ago, the trailblazing series premiered on Logo TV, the first queer-focused commercial cable network, offering viewers a rare glimpse into Black and brown gay life. Set in Los Angeles, “Noah’s Arc” centered on the titular screenwriter (Darryl Stephens) and his close-knit group of friends — Chance (Doug Spearman), Alex (Rodney Chester) and Ricky (Christian Vincent) — as they navigated life, love and their careers in a gay West Coast take on “Sex and the City.”

At its core was Noah’s slow-burn romance with Wade (Jensen Atwood), whose struggle to embrace his sexuality added even more depth to the groundbreaking show that became an instant hit among viewers.

“Noah’s Arc” broke new ground when the dramedy debuted in 2005 by unabashedly tackling social subjects like same-sex marriage, homophobia and HIV/AIDS awareness at a time when authentic queer representation — especially of Black and brown lives — was scarce on television. Throughout its two-season run, the bold queer classic became a lifeline for LGBTQ audiences of color, especially those still in the closet, by carving out an affirming space in pop culture that celebrated identity, chosen family and most importantly, visibility.