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Lubaina Himid’s British pavilion at the Venice Biennale review – alienation in a green and pleasant land
Amid a calming soundtrack of lapping waves and cooing birds, workers in brightly coloured paintings share glances that say: ‘What the hell are we doing here?’ But isn’t there more to not belonging than this show suggests?
Raccontata da
theguardian.com
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‘We put our heads above the parapet’: Lubaina Himid on winning her 40-year battle to storm the Venice Biennale
In the 1980s, she had to show her work in a corridor by the ICA’s toilet. Now she’s representing Britain at the ‘art Olympics’. So is the artist feeling a bit establishment? Quite…
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Lubaina Himid’s British pavilion at the Venice Biennale review – alienation in a green and pleasant land
Amid a calming soundtrack of lapping waves and cooing birds, workers in brightly coloured paintings share glances that say: ‘What the hell are we doing here?’ But isn’t there more…