DUBAI: Nearly two centuries after Emily Bronte wrote “Wuthering Heights” — a book so savage, so dark, so ‘unfeminine’ that early readers were convinced it was written by a man — filmmaker Emerald Fennell has boldly set out to adapt it for the big screen by all but ignoring the book in its entirety. So we have swirling mist, heaving bosoms and slow-motion, close-up yearning. But we have almost nothing of Bronte’s elemental novel and its explorations of class inequality, generational trauma and the supernatural.

DUBAI: Nearly two centuries after Emily Bronte wrote “Wuthering Heights” — a book so savage, so dark, so ‘unfeminine’ that early readers were convinced it was written by a man —…

We want to hear people’s thoughts on reading the novel ahead of the new adaptation – and if you’ve watched the film how does it compare?

Emerald Fennell’s brazenly unfaithful Emily Brontë adaptation takes Margot Robbie and Jacob Elordi to trembling, transgressive depths

If the British reviews are anything to go by, my rainy London tour bus ride was more stirring

Spoiler alert! We're discussing major details about the ending of “Wuthering Heights” (in theaters now). Stop reading now if you haven't seen it yet and don't want to know.