JEDDAH: Filmmaker Annemarie Jacir’s “Palestine 36,” which screened at this month’s Red Sea International Film Festival, is more than a historical drama. The film — Palestine’s official entry to the Oscars this year — is a deep exploration of resistance, resilience and the struggle of the Palestinian people. Jacir — who lived in Saudi Arabia until the age of 16 — recalls the spark for the film: the discovery of archival photographs of British checkpoints where Palestinian men and women were systematically searched, a scene that felt hauntingly familiar.