Welcome to The End of Times (El fin de los tiempos)! The Colombian film from Bibiana Rojas Gómez and Juan David Cárdenas Maldonado, mixing found footage and AI to explore trauma and depression and “politicize mental illness,” will world premiere in the competition lineup of the Venice Critics’ Week, an independent sidebar of the Venice Film Festival, on Sept. 10.
The co-directors also handled cinematography, with Cárdenas Maldonado writing the screenplay, and Rojas Gómez editing the movie. Split Screen is handling sales on The End of Times.
The ominous title likely makes you wonder what to expect. “Salomé searches through five decades of family footage for the reasons for her mother’s sadness,” reads a synopsis. “Trying to imagine different versions of her mother, Salomé finds out that all of them lead to depression and uneasiness in a context where it seems easier to conceive the end of the world than the end of capitalism.”
By using AI, she experiences first-hand how difficult it is to conceive of another version of the world, one in which her mother could find some kind of meaning.
“Our age has glorified technological utopia, and the latest version of this promise is artificial intelligence,” the creative duo behind The End of Times says in a directors’ statement. “Yet, like earlier technological novelties, the shine of progress is discreetly stained by ambition, exploitation and misery. Seen from the perspective of peripheral countries condemned to the dark side of development and turned into an impoverished labor force, AI exposes its shadiest aspects.”
