Current sectionArt & CultureShare to FacebookShare to XArticle printing is available to subscribers onlyPrint in a simple, ad-free formatSubscribeComments: Zen reading is available to subscribers onlyAd-free and in a comfortable reading formatSubscribe"The Golem" ("The Monster"), by Niki de Saint Phalle, Kiryat Hayovel, 1985. Credit: Aliza AuerbachOn the tenth anniversary of photographer Aliza Auerbach's death, a new exhibition focuses on the singular, deeply personal perspective through which she portrayed Israel's capital04:11 PM • August 31 2026 IDT"At 25, before my first trip abroad, my grandmother gave me a simple camera so I could bring back mementos from the journey," photographer Aliza Auerbach recalled in a 1992 interview with the daily newspaper Davar.In the NewsAliza Auerbach Photographed a Jerusalem That No Longer ExistsWhy a Planned Mikveh Has Tel Aviv Residents WorriedWhy Did an Israeli Fashion Brand Halt Sales on the Holy Day?By Playing Wagner in Israel, This Swiss Director Broke Two Boycotts at OnceA Hot Mess: I Spent the Summer in Switzerland. Who Knew It Could Turn Into Hell?Remembering and rebuilding two years laterICYMIHasan Piker Talks Hamas, anti-Zionism and Why Americans Are Fed Up With Israel'Israel Is Sending Militias to Commit War Crimes – and I Have to Protect Them'Israeli Court Acquits Man of Assaulting Nun in Jerusalem's Old CityPoll: Likud Sinks to 19 Seats as New Right-wing Party Falls Below ThresholdJewish Space Lasers? Israel Wants 'Rods From God'Ben-Gvir's Ambush Shook Netanyahu – and Unleashed a War for Right-wing Votes
Aliza Auerbach photographed a Jerusalem that no longer exists
On the tenth anniversary of photographer Aliza Auerbach's death, a new exhibition focuses on the singular, deeply personal perspective through which she portrayed Israel's capital






