in Music | February 4th, 2026 Leave a Comment

More than a few of us can claim, with some con­fi­dence, to know every Bea­t­les song. And indeed it may be true, in that we’ve heard every track of all their stu­dio albums. But as decade after decade of Bea­t­les schol­ar­ship has demon­strat­ed, there’s know­ing their songs, and then there’s know­ing their songs. Musi­cian and YouTu­ber David Ben­nett has made it his project to attain the sec­ond kind of knowl­edge, and on his ded­i­cat­ed series UnBea­t­led, to share it with the pub­lic. In each UnBea­t­led video he ana­lyzes just one song — “Help!,” “Here Comes the Sun,” “Pen­ny Lane,” and so on — at a lev­el of detail fine enough to neces­si­tate not just break­ing it down to its com­po­nent tracks, but also exam­in­ing the demos and unre­leased takes record­ed in the stu­dio.

This process can reveal a great deal about the Bea­t­les’ song­writ­ing process, as Ben­nett explains in the video at the top of the post. In the course of twen­ty min­utes, he cov­ers eleven songs, a selec­tion not nec­es­sar­i­ly lim­it­ed to the group’s uni­ver­sal­ly praised com­po­si­tions.

Take the first, “Yel­low Sub­ma­rine,” whose ear­ly record­ings dif­fer both lyri­cal­ly, melod­i­cal­ly, and in time sig­na­ture from the ver­sion we know (and may or may not love), begin­ning with an idea of John’s and being fur­ther shaped by Paul through its iter­a­tions. Anoth­er of John’s musi­cal seeds is “Every­body Had a Hard Year,” whose fin­ger­pick­ing pat­tern (orig­i­nal­ly learned from Dono­van in India) is also heard in “Julia” and “Dear Pru­dence,” and which evolved, with dif­fer­ent chords, into the mid­dle sec­tion of “I’ve Got a Feel­ing.”