From South LondonRecommended if you like FKA twigs, James K, Anysia KimUp next Debut album Underlight out nowThere are many ways to deconstruct club music. On Bristol label Illegal Data, releases might take explosive approaches to scary (Ship Sket) and whimsical (Mun Sing) extremes. More recently, the same label finds Stolen Velour, Floco and Aria SL filling the club chest-high with liquid: you hear elements sink, dissolve, or float past serenely on the surface.The trio began as housemates in south east London, where sounds bleeding into one another was less a creative choice, and more a reality of housesharing. To create their sound, they pooled their ideas as producers, before adding their individual touches: Floco’s violin, Aria SL’s bel canto vocals and Stolen Velour’s clubbier production chops. Their shapeshifting approach to live club music has meant an unusual spread of support slots: somehow, they complement both Jabu’s dubby shoegaze, and the hardcore horror rave of Yya.Following last year’s ambient EP Holdfast, Underlight finds a fuller spectrum of movement without breaking their carefully created atmosphere. Lead single Caught Myself bobs between sunken drawls and airy, keening vocalisations, like a swimmer in a cycle of submerging and reappearing. The trip-hop of Moment wobbles and pulses. Transfigured moments of busier club styles – amapiano, gqom – appear on I Want and Loch.Underlight’s strength is the balance between these states of immersion. Cutscene, at the LP’s midpoint, is a formless, full-body plunge, followed immediately by a cover: a refreshingly clean take on Lilium, the Puccini-like main theme from Japanese manga series Elfen Lied. From this high, the vocal line tumbles ever downwards, and the process of immersion begins again. Hugh MorrisThis week’s best new tracksA riveting solo debut … Radie Peat. Photograph: Daniel ArcherRadie Peat – Still I Love Him