in Art, History | July 16th, 2025 Leave a Comment

They say that his­to­ry is writ­ten by the vic­tors, but that isn’t always true: some­times it’s embroi­dered by the vic­tors. Such was the case with the Bayeux Tapes­try, which com­mem­o­rates the build-up to and suc­cess­ful exe­cu­tion of the Nor­man con­quest of Eng­land in 1066. Cre­at­ed not long after the events it depicts in what we now call the Unit­ed King­dom, the near­ly 230-foot-long cloth has been kept in France for most of its exis­tence. But as report­ed by Hyper­al­ler­gic’s Isa Far­fan, the Bayeux Tapes­try is now set for a year­long sojourn back in its home­land, and at no less an august insti­tu­tion than the British Muse­um, after spend­ing the bet­ter part of a mil­len­ni­um abroad.

In a style that may strike twen­ty-first-cen­tu­ry view­ers as a pre­de­ces­sor to the graph­ic nov­el — or even to the straight-ahead com­ic book, with its grotesque exag­ger­a­tions — the Bayeux Tapes­try’s embroi­dery tells the sto­ry, writes Far­fan, of “the vic­to­ry of William the Con­queror, the Duke of Nor­mandy, over Eng­land in the Bat­tle of Hast­ings. William assem­bled a fleet of ships filled with thou­sands of men and hors­es to cross the Eng­lish Chan­nel and suc­cess­ful­ly claimed the throne from the last Anglo-Sax­on king, Harold God­win­son.”