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Ask your average TV critic to list their favorite Netflix originals and you’ll get a lot of BoJack Horseman and Orange Is the New Black, plus some votes for The Queen’s Gambit or Adolescence from limited series fans, Dark from twisty sci-fans, and maybe some Squid Game or Stranger Things love from folks who never finished either series.
There’s a small subset of open-minded viewers, though, who would find some way to mention Rachel Shukert’s adaptation of The Baby-Sitters Club. It lacked overt prestige and, based on its abrupt cancellation after two seasons, apparently lacked wide viewership, but more than anything it suffered from the perceived stigma of being for and about young women and therefore somehow unworthy of celebration.
Little House on the Prairie
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