Between Widow's Bay and House of the Dragon, foreboding bells on TV are so hot right now.Bells are a constant presence in House of the Dragon Season 3, episode 3, which chronicles Queen Rhaenyra Targaryen's (Emma D'Arcy) first days on the Iron Throne. The early phase of her rule is not marked by celebration, but by a string of crises. The treasury is depleted. The High Septon refuses to bless her ascendancy. Daemon (Matt Smith) wants her to kill her half-brother Daeron. Corlys Velaryon (Steve Toussaint) turns on her after she refuses to legitimize his bastard sons. Each setback is punctuated by the ring of a lone bell.
By themselves, the bell's mournful clangs suggest Rhaenyra's frustration with her situation. No part of her rule so far — from the brutal executions to her lackluster coronation — has met her expectations. Worse, none of it seems worth the loss of her two sons. Her reality is literally out of tune with her dreams for her queendom.
However, the bell is also a musical callback to a key sequence in Game of Thrones history: Daenerys Targaryen's infamous burning of King's Landing in Season 8, episode 5, fittingly titled "The Bells." The episode hinges on the moment when King's Landing surrenders to Daenerys by ringing the city's bells. By this point, Daenerys' time in Westeros has pushed her to the brink. She has lost two of her dragons and her closest friend, Missandei. She has weathered skepticism, scorn, and even betrayal from her close allies. Hearing the bells pushes her to the edge, and she chooses not to accept the city's submission. Instead, she continues on her warpath and torches the city, its civilians, and eventually the Red Keep. It's the defining moment in her descent into tyranny, marking her as a Mad Queen.
