Conceived as an exploration of ‘Patra Praveshas’ in the Kuchipudi repertoire, the programme brought together several iconic compositions.
| Photo Credit: Special Arrangement
Satyabhama enters the stage with regal confidence, proclaiming her radiance, grace and cherished place in Krishna’s heart. Within moments, her entrance emotional intensity, which defines her character and serves as an archway into the drama itself. Character-entry songs occupy a significant place in Indian performance traditions. While the Sanskrit dramatic tradition accords importance to pravesa and the Natyashastra describes dhruva songs for dramatic junctures, Kuchipudi’s ‘Patra Pravesha Daruvu’ combines these functions by introducing the character, establishing the mood and identity, and showcasing the performer’s abilities.The Hindu’s complete coverage of danceThis rich tradition of character-introduction formed the thematic focus in Madhavapeddi Murthy’s recent presentation, along with the disciples of Siva Foundation, at Spaces. Conceived as an exploration of ‘Patra Praveshas’ in the Kuchipudi repertoire, the programme brought together several iconic compositions.
Alongside the traditional repertoire, Madhavapeddi Murthy and his students presented a series of newly-choreographed works in a contemporary idiom.
