in Art | August 28th, 2025 4 Comments

It gets dark before din­ner now in my part of the world, a recipe for sea­son­al depres­sion. Vin­cent van Gogh wrote about such low feel­ings with deep insight. “One feels as if one were lying bound hand and foot at the bot­tom of a deep dark well, utter­ly help­less.” Yet, when he looked up at the night sky he saw not dark­ness but blaz­ing light: a full moon shines yel­low from White House at Night like the sun, and peeks like a gold coin from behind blue moun­tains in Land­scape with Wheat Sheaves and Ris­ing Moon. The stars in Star­ry Night Over the Rhône appear like fire­works. We are all famil­iar with the blaz­ing night sky of its sequel, The Star­ry Night.

It’s been sug­gest­ed that Van Gogh saw halos of light because of lead poi­son­ing from his paint, and that the Dig­i­tal­is Dr. Gachet pre­scribed for his tem­po­ral lobe epilep­sy caused him to “see in yel­low,” the Van Gogh Gallery Blog writes, “or see yel­low spots which could explain van Gogh’s con­sis­tent use of the col­or yel­low in his lat­er works.”

His most bril­liant works date from this lat­er peri­od, dur­ing his time at the hos­pi­tal at Arles, where he paint­ed his famous bed­room. All of these paint­ings, and hun­dreds more, can be found in high-res­o­lu­tion scans at the new van Gogh resource, Van Gogh World­wide, “a con­sor­tium of muse­ums,” notes Madeleine Muz­dakis at My Mod­ern Met, “doing their part to bring the work of one of the world’s most famous artists to the glob­al mass­es.”