Europe’s largest hub of the performing arts, which great musicians the world over once called home, is now a grim laboratory, obsessed with a ‘diversity’ that taints everything it touches.
We hate, thought Keats, things that have ‘a palpable design upon us’. Under the direction of Misan Harriman, chairman of trustees, the Southbank Centre increasingly resembles a political boot camp, where slackers are herded for re-education.
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