The Bruce Springsteen concert I went to in Brooklyn last week was unlike any concert I’ve attended in decades. It was far more than a fabulous, joyous concert; it was also an inspiring resistance event.From the get-go, the Boss made clear that this concert would be part of the anti-Trump resistance. It was a three-hour-long ode to the resistance and a thunderous call to Springsteen fans to step up and do more to fight for democracy and against authoritarianism. In this way, Springsteen is serving as a model for how celebrities can stand up against Trump and fight for what’s right.As in the other concerts in his Land of Hope and Dreams tour, Springsteen began his Brooklyn concert with some uncontroversial, patriotic words: “We begin tonight with a prayer for our men and women in service overseas. We pray for an end to this conflict and for their safe return.” But in his very next sentence, the Boss plunged into full-scale resistance mode: “The E Street Band is here tonight in celebration and defense of the American ideals and values that have sustained our country for 250 years. We call upon the righteous power or art, of music, of rock’n’roll in these dangerous times.“Our democracy, our constitution, our rule of law,” he continued, “are being challenged right now as never before by a reckless, racist, incompetent, treasonous president and his ship of fools administration. So tonight we ask all of you to join with us in choosing hope 0ver fear, democracy over authoritarianism, the rule of law over lawlessness, ethics over unbridled corruption, resistance over complacency, truth over lies, unity over division and peace over war.”As soon as Springsteen uttered the word war, the E Street Band began blasting Motown’s leading anti-Vietnam war song, War (What Is It Good For). Immediately came the roaring answer: “absolutely nothing.” It was Springsteen’s not-so-subtle way of dissing Trump’s disastrous war against Iran. Next, to immense applause, Springsteen belted out his great anti-war anthem, Born in the USA.One of the concert’s final numbers was another in-your-face song to our authoritarian president: Bob Dylan’s Chimes of Freedom. Springsteen sang of those chimes flashing “for the refugees on the unarmed road of flight” and “for the rebel”, “the outcast” and the “underdog”. To an arena filled with young and old fans, he also delivered some of the oldies but goodies they hungered for: Born to Run, Hungry Heart and Dancing in the Dark. In a special bonus, Tom Morello raged against the Trump machine by joining Springsteen in an amped-up version of The Ghost of Tom Joad, about a depressing “new world order” with “families sleeping in [their] cars”. Throughout the turbocharged concert, Springsteen had phenomenal, unflagging energy, seeming more like 26 than 76.If anyone harbored doubts about whether this was a night of resistance, Springsteen said, in a direct slap at Trump: “Honesty, honor, humility, character, truth, compassion, humanity, thoughtfulness, morality, true strength and decency – don’t let anybody tell you that these things don’t matter any more – they do… So many of our elected leaders have failed us that this American tragedy can only be stopped by the American people – by you. So join us and let’s fight for the America that we love.”Then he shouted: “Are you with us? Are you with us?” The crowd thundered back with thousands of yeses.In another jab at Trump, Springsteen said: “Our museums are being told to whitewash American history of any unpleasant or inconvenient facts, like the full history of the brutality of slavery. You want to talk about snowflakes? We have a president who can’t handle the truth.”Springsteen seemed totally comfortable as he laid into Trump, who has childishly (and preposterously) called him a “total loser” and “not a talented guy”. From his early days in Asbury Park, Springsteen has championed the working class, singing about “broken heroes” who “sweat it out”, Vietnam vets who “ain’t got nowhere to go”, and twentysomethings for whom there “ain’t been much work”. While Trump has delivered to billionaires, Springsteen has been fighting for working men and women, for those who get the short end of the stick. That has given him extraordinary cred with average Americans.To be sure, many other celebrities have stood up to Trump, among them Stephen Colbert, John Legend, Jimmy Kimmel, Robert De Niro, Lady Gaga, the country superstar Zach Bryan, and the Chicks’ Natalie Maines. Unfortunately, the courageous Mr Colbert has seemingly been punished for criticizing the thin-skinned president. His last show was on Thursday (Springsteen appeared on Wednesday’s episode). Perhaps because Springsteen knows there are hundreds of thousands of Americans willing to pay $100 or more to see him perform, he takes on Trump with less hesitation and greater abandon than other celebrities. The Boss doesn’t have any corporate overlords watching his every word.His resistance is unflinching. In Brooklyn and at each concert, he gives a variation of this broadside: “So many American families struggle while our president and his family enrich themselves by billions of dollars trading on the people’s office in corruption unmatched in American history … This White House is destroying the American idea and our reputation around the world. We stood as a beacon for hope and liberty as an imperfect, but strong defender of democracy– standing for the global good, and to many now we are just America, the reckless, unpredictable, predatory, untrustworthy, rogue nation that is this administration and this president’s legacy.”Every resistance movement needs an anthem, and Springsteen has obliged by writing The Streets of Minneapolis, which denounces Trump’s deployment of thousands of masked agents to intimidate that deep blue city, to essentially step on its neck.When he began singing Streets of Minneapolis, the crowd went wild. I excerpt it: