Per its title, the NBC sitcom “The Fall and Rise of Reggie Dinkins” is a comeback story, but it’s also a reunion. Comedian Tracy Morgan has produced a wide-ranging body of work since his breakout on “Saturday Night Live” at the turn of the millennium — and, more dramatically, since sustaining severe injuries in a New Jersey traffic collision in 2014. But his most iconic role remains, if not himself, then a part directly adjacent to his own persona: Tracy Jordan, the chaotic yet lovable co-lead of Tina Fey’s meta entertainment satire “30 Rock.” For seven seasons, Morgan balanced deep-cut cultural references and cracks about corporate mergers with a needed dose of anarchy, while Fey and her writers formed a knack for channeling Morgan’s ebullient energy into absurd, instantly iconic bits like “Werewolf Bar Mitzvah” or the concept of an EGOT.
“Reggie Dinkins” is co-created by Robert Carlock and Sam Means, two longtime staples of the broader universe one could call Feyworld. (Fey herself serves as an executive producer, as does Morgan.) Carlock has worked with Fey since their time at “SNL,” where they also overlapped with Morgan; Means did stints on “Unbreakable Kimmy Schmidt” and “Great News” in addition to “30 Rock”; more familiar names, like “Girls5Eva” creator Meredith Scardino, pop up in the credits as the 10-episode first season moves briskly along. Although Fey’s TV adaptation of Alan Alda’s “The Four Seasons” broke from these shows’ otherwise consistent MO with decidedly mixed results, “Reggie Dinkins” is a return to form, both in style and quality. That’s great news for viewers, but also for Morgan, who finally gets a character equal to Tracy Jordan in channeling his particular charisma. And this time, his name — or rather, Reggie’s — is on the door.
