Ensemble Modern/Gruber/Giunta/Amarcord

(Ensemble Modern Media)

From Hindemith’s jazz-age energy to Schoenberg’s existential angst, and Kurt Weill’s biting satire to Korngold’s neo-Romanticism, this lively recording is a perfect example of the kind of music the Nazis couldn’t abide.

I

f this live recording from Ensemble Modern and HK Gruber represents an eclectic snapshot of musical Germany between 1920 and 1933, it’s also a perfect example of the kind of thing the Nazis couldn’t abide. “Too modern, too jazzy, too Jewish,” they cried. No surprise then that all four composers ultimately wound up in the United States.