Brett Dean’s Of One Blood review — tale of Elizabethan intrigue makes a thrilling 21st century opera
With a pungent, propulsive score and gutsy singing, this world premiere at the Bayerische Staatsoper deserves to be heard widely
With a pungent, propulsive score and gutsy singing, this world premiere at the Bayerische Staatsoper deserves to be heard widely

Punchy playing and fine singing do Britten’s fail-safe narrative justice at the Linbury Theatre

A flurry of performances this year reminds us why the art form is an enduring influence on crime writers

Kirill Serebrennikov’s lavish production makes lazy use of African and Asian imagery while Kirill Petrenko elicits rigorous…

Director Barrie Kosky homes in on Wagner’s ecological message and delivers it with flair

The Czech composer’s opera feels more topical than ever, with a captivating Ausrine Stundyte at its heart

Spartan staging of the comic chamber opera is well played and sung but struggles to fill the London Coliseum