An Asian Scrooge, a break-dancing Bob Cratchit and a musical bear – new versions of classics keep stories alive
N
ot even the Ghost of Christmas Yet to Come could have foreseen a Bollywood-inspired film or a hip-hop fantasy performance of A Christmas Carol. But these are the latest takes on Dickens’s much-adapted classic: Christmas Karma from Gurinder Chadha, the Bend It Like Beckham director, brings us Mr Sood, a Ugandan Asian refugee (played by Kunal Nayyar), who came to Britain in 1972; Ebony Scrooge transforms the old miser into a Dominican fashion diva at the recently opened Sadler’s Wells East, London.
We may think of Scrooge McDuck and the Muppets, but there was deep moral seriousness behind A Christmas Carol. Dickens had intended to write a political pamphlet entitled An Appeal on Behalf of the Poor Man’s Child, but instead decided to bury “the ghost of an idea” in a festive story. A Christmas Carol was written in six weeks and published on 19 December 1843, when Dickens was just 31. By Christmas Eve it had sold all 6,000 copies. By February 1844 there had been eight stage adaptations.
Now this 182-year-old novel is being retold as 21st-century migrant stories. It is not hard to see why: Scrooge’s Malthusian fears about “surplus population” and the Victorian belief that the poor should be punished are echoed in today’s anti-immigration rhetoric.
