The rising star has made her debut film, Dreamers, a semi-autobiographical love story set in an immigration detention centre. She talks about fleeing persecution in Nigeria – and what she learned from French new wave
J
oy Gharoro-Akpojotor had a little wobble when she stepped on to the stage after the screening of her debut feature, Dreamers, at the London film festival. The Nigerian-British director’s film is a love story set in an immigration detention centre. It had already premiered in Berlin earlier this year. But showing her semi-autobiographical film to a home crowd in London felt exposing. “I suddenly had this feeling: Oh my God, everyone can see me. Everyone knows everything about me.” She laughs.
Gharoro-Akpojotor has built a reputation as a rising star producer. Her company Joi Productions makes films telling black, female and gay stories. (“All of the above, sometimes individually.”) Her credits include Rapman’s Blue Story and Aml Ameen’s romcom Boxing Day, and she is currently working on Ashley Walters’ directing debut Animol.
We’re speaking by video call at the end of a long day’s work. Behind her on a shelf cardboard boxes have the titles of film projects neatly labelled with a Sharpie. Within five minutes you can see why directors pick Gharoro-Akpojotor to produce their films. She takes her work very seriously, but has a good laugh at herself – and is in possession of such an air of calm, not even the apocalypse would faze her.
