A group of mostly White Americans stands beneath a billowing national flag, right hands to their hearts. Construction workers crawl ant-like over a close-up of the upraised torch in the hand of the Statue of Liberty. A craggy Daniel Boone in raccoon-skin cap gazes off into the distance against a purple background, cradling his rifle.
These are three Norman Rockwell paintings that recently appeared without authorization in social media posts by the U.S. Department of Homeland Security. They bore these labels: “Protect our American way of life,” “Manifest Heroism” and a quote from Calvin Coolidge, “Those who do not want to be partakers of the American spirit ought not to settle in America.”
Norman Rockwell – our father, grandfather and great-grandfather – painted more than 4,000 works during his career, many of them depicting what are considered classic scenes from 20th century American life: Boy Scouts, doctor visits, squabbling couples, soda shops, soldiers returning from war, linemen and so much more.
From 1916 to 1963, he regularly painted covers for the Saturday Evening Post, which by and large depicted only White people. The scarcity of people of color in Rockwell’s paintings has led those who are not familiar with his entire oeuvre to draw the conclusion that his vision was of a White America, free of immigrants and people of color. But nothing could have been further from the truth.
